Anomalous Trackologies Split by Heavy Insect and Haggari Nakashe & gaop

 

We are extremely happy to announce this super interesting release, one of the first gems to hit RZR in 2025.

A split between Heavy Insect, an alternative noise rock, sludge, post-grunge, insanecore, weirdo indie one-man band from Chicago, doing some really inspiring work from his basement, and our very own Haggari Nakashe & gaop, with a painfully loud, raw, slow, and dirty take on noise rock.

This split will be released on streaming platforms around April, but as of last night, you can stream and purchase it via Heavy Insect's Bandcamp (see the embed below for easy access). We encourage you to do so. Make sure to check out his latest album "Out of Light", which was released last month.

Officially known as RZR release RZR25SS01,  we really hope that the Anomalous Trackologies Split will help to put us back on track with our split series. This pet project is something we try to promote hard every year but often underperform, given how sometimes life is just a series of random events that can hold you back from doing the things you love.

Now that we hopefully have you excited about this item, please make sure to follow Heavy Insect on Instagram as well because he definitely deserves your attention both to his music and to his visual art, which is on some primitive outsider next level. Don't forget to follow him on Bandcanp, Spotify, and wherever you get your music from. You won't regret it.

Another note about this release: You have to listen to the entirety of it in one go, or at least so we recommend. The tracks get increasingly more chaotic and heavy as they progress, so essentially, this release is meant to lure people in like a Siren and hit em like a Venus flytrap. Have to is obviously very strong wording, and we're not forcing you to do anything. If you have read this post so far, we're mostly grateful for your time and attention. 

What makes this split particularly effective is the dialogue between basement-born chaos and intentional sonic brutality. Heavy Insect's approach, lo-fi, unpredictable, genre-defying, feels like someone tearing apart the rulebook while Haggari Nakashe & gaop meticulously construct their assault with deliberate slowness and grime. It's the difference between wild improvisation and calculated devastation, yet both sides share a commitment to making noise rock feel genuinely unsettling again rather than just loud. The pairing works because neither artist is trying to be palatable or accessible; they're both committed to discomfort as an aesthetic choice, just arriving at it through different creative processes.

The DIY spirit runs deep through this release, and that extends beyond just the music itself. Heavy Insect's visual art deserves special mention here, his outsider aesthetic complements the sonic chaos perfectly, creating a complete artistic vision that reminds you why independent labels this matter. This is art made by people who need to make it, not because there's a market for it or because algorithms will reward it, but because the alternative is not making it at all. In an era where even "underground" music gets smoothed out for playlist compatibility, releases like Anomalous Trackologies feel genuinely countercultural, two artists from different far apart , connected by a label that's been championing this kind of uncompromising work for over two decades, creating something that exists entirely outside the usual music industry infrastructure.

Paxit - some good news and some not so good

So let's start with the good news: Paxit is now available on Bandcamp.

They've started adding some of their releases, and new materials will also be available soon.

This is in addition to Paxit's Spotify discography. 

And now for the bad news: some of the releases are still missing, so no full discography here.

For those not in the know, Paxit is a group that noise metal group, although for their first decade of existence, they had ten members for their live shows, some of them playing trumpet, saxophone, or just screaming into the void in costumes and makeup. They went from that to a doom, drone, sludge trio, and there have been numerous lineup changes, sound pivots, and so on.

The lineup changes didn't hurt their passion, and even though they had frequent style changes, the core remained raw and crazy.

This is what they looked and sounded like for a hot moment around 2007, which is around seventeen years ago:

While this is somewhat expected for such a chaotic group, it is not the best news.

As we posted on social in the past - we're still looking for whatever's left of their old physical releases, those CDRs, those ZIP files on thumb drives, etc.

There are also some legal issues with obtaining their debut album, so things being spotty is business as usual.

To conclude: Paxit's new music coming up - is good. Paxit music lost to time - bad.

If you have any of those releases, please use our contact form to tell us all about it!

Seriously, if you have anything that could help us preserve their past music, please let us know.