Showing posts with label RZR. Show all posts
Showing posts with label RZR. Show all posts

Haggari Nakashe presents "Texture Hunt" [new release]

  RZRecords cat: RZR2026HN01 · UPC: 5063958149059 · New Release · Digital & Streaming


Haggari Nakashe - Texture Hunt
Haggari Nakashe - Texture Hunt


Texture Hunt is exactly what the name promises. And I'm still in it.

Winter in Ontario doesn't let go easily. It doesn't ease or soften, it just sits, grey and immovable, pressing down on your chest like a hand. The days are short and the nights are long and somewhere in between them the hours lose their shape entirely. The cold gets into rooms and stays. I stopped counting the days. I stopped a lot of things.

When everything else went quiet in the way that frightens you, I turned to synth and samples the way a drowning person reaches for anything solid. Not out of inspiration, and not out of craft. Out of something closer to desperation, a need to keep my hands moving, to keep some part of me anchored to the physical world while the rest of me drifted somewhere I couldn't always find my way back from.

That period was a low point I'm not sure I've fully crawled out of. There were days when getting out of bed felt like a monumental task, and the idea of doing anything that mattered seemed laughable. Hopelessness was a familiar weight, and exhaustion wasn't just physical, it was a bone-deep weariness with everything. Creating sound became less about a project and more about a basic instinct to feel something other than the numbness. I built sounds the way some people build fires in the dark. Not because it was warm. Because it was something.

What came out of that winter is Texture Hunt: nearly 50 minutes of dark ambient exploration, recorded in rooms where the light barely reached. Drone overtones that breathe like something half-conscious, something that hasn't fully decided whether it's sleeping or waking. Noise that doesn't overwhelm but inhabits, settling into corners, pressing against walls. It is slow and patient, the way depression itself is slow and patient, the way it moves into the walls and the furniture and the silence between your thoughts until you can't remember what the room felt like before it arrived.

The textures here don't announce themselves. They surface. They shift beneath you. They reveal themselves slowly, like shapes in a dark room you're not sure you actually saw, and when you turn to look, they're already somewhere else.

There is a story buried in this record, but I won't hand it to you clean. It lives in the low frequencies, in the feedback that holds just a little too long, in the moments where a layer dissolves and what remains feels uncomfortably exposed. It is a story about a long dark season and what you do inside it when doing nothing becomes its own kind of danger. About using sound as a lifeline, as a ritual, as a way of moving through something that had no visible other side.

This is what winter does when you let it in instead of fighting it. This is what healing sounds like before it looks like anything. Dark, uncertain, patient, sounds used as tools to reach somewhere inside that words kept missing. To hunt for something in the textures of your own making, something that might resemble peace, or feeling, or just the proof that you're still here.

It's still winter here. The snow is still on the ground. I'm still inside.
But the sounds helped. They always do.

Put it on. Sit inside it. Let it move through the dark with you.


Thanks for reading.

Yours,
Haggari.

"3" by cÆNINEZ, Haggari Nakashe & gaop, and SMEGMASMOG is finally out on all platforms!


3 by cÆNINEZ, Haggari Nakashe & gaop, SMEGMASMOG



"3" is a split release by cÆNINEZ, Haggari Nakashe & gaop, and SMEGMASMOG, showcasing just how interesting, layered, dynamic, and complex noise music can be.

This release is a standing proof of the greatness of a genre, which is often blamed for being diluted by an infinite number of artists on their home computers. 

With only three tracks, and clocking just under half an hour, this release brings forth a potpourri of haunting sounds, the darkest of ambients, drones, shrieks, and beeps. 

With the sheer amount of music released every second, this testament to the remarkable side of noise might get lost to time, only to be occasionally remembered by the participants themselves. But such is always the nature and risk of music. This is especially true for noise music genres. The constant fate of extreme, independent, and experimental releases that have little to no mass appeal to begin with.

At the end of the day, it is up to each and every one of us to make sure that the music we love is not overshadowed by the passage of time. The artists, the labels, the listeners, the people sharing links online, we each do our tiny part in appreciation and preservation. It's a delicate ecosystem, and we hope that our work on bringing forth "3" is nurturing enough for you to keep on flourishing. 





Releases like "3" face constant risk of being lost to algorithmic noise. By writing about, sharing, and archiving these works, listeners become active participants in experimental music preservation. Every stream, download, and blog mention acts as evidence that this corner of the underground exists. If you create avant-jazz, drone, HNW, or noise rock, we want to hear it. Read our guide, then hit us up for a spot on our split series. The ecosystem survives only when we each do our tiny part.

Unlike solo albums, splits foster direct dialogue between artists. They are the most accessible entry point for listeners new to depressive blackened noise or electroacoustic improvisation. They require no expensive studio time, only the willingness to share space with another artist's vision.

RZRecords 6 WAY SPLIT, Volumes 3 & 4 - CALL FOR SUBMISSIONS

IMPORTANT UPDATE: We're moving the deadline to December to give us some more time to prep and you some more times to finish your tracks!


Greetings fellow sound aficionados!

We are again inviting everyone to submit your materials for our 6 ways split series!

Hot on the heels of  RZRecords SIX WAY SPLIT, Vol.1 and  RZRecords 6 WAY SPLIT, Vol.2, we are now looking for submissions for the 3rd and 4th installments.

The theme we requested for the previous releases was "dark", and people submitted lots of stuff that just showed how conceptions change between people. We thought it was pretty awesome that the tracks we received were so different in style. 

This time around, think "dark" but there are literally no limitations when it comes to musical themes or genres. Send whatever seems right, or whatever you want to share with the world.

The rules are:

  1. no samples - the releases going to be submitted to the majority of streaming platforms and having copyright issues can sabotage the entire project. Please own the rights to your materials. If you have questions - we're here for you.

  2. 10 minutes per artist - up to 10min. it can be one track, can be 20 tracks half a minute each, it's up to you. If you feel that you're best represented by a 10 second beep - send it over, sounds interesting!

    • Special note regarding your 10 minutes: if you feel like submitting stuff that you might have released in the past - that's up to you. We accept remixes, remasters, or just older stuff that deserves exposure. It might be new to us and everyone else. As long as the tracks make sense together - it's in!
  3. provide all the info - make sure to properly name your files, provide us with the order you desire if you want them in a certain way, artist name and special notes (caps, special characters, etc). If you have a special logo you use, let us know so we consider that when we work on the cover art. Last time we simply used one font for everyone which made things easier, but send us your stuff just in case.

  4. no hate - hate speech will not be accepted. Also, please make sure to let us know if your content is explicit, some platforms need to tag it according to their rules.

  5. limited to 6 participants - we only have room for a selected few per release, so please keep that in mind. if we get lots of submissions there's gonna be another volume coming soon! We usually arrange stuff concept wise, so if you're left out - doesn't mean we hate you, we might be saving your for a more relevant combination of tracks.

  6. pro bono - while we will distribute the release for online streaming, please note that at the moment we're not planning on a physical release nor are there plans to sell it. participation is without pay, but feel free to contact us for the files if you wish to print your own copies to sell locally. If sometime down the line there's special interest or demand - we might release a physical copy and distribute those between the participants.

  7. submission - send your FLAC files to contact.rzrecords[@]gmail.com and please try to limit the loudness to -6dB. We find it easiest to work with google drive folders with all of the materials in one place.

  8.  deadline - We'd like to have all tracks by November 2023. If you feel like you need more time, send it anyways, we'll save it for the next release.We know some people take longer to submit cos they're working on brand new stuff.



We want to take a moment to express how genuinely thrilled we are to be building this community with all of you. The response to the first two volumes was beyond anything we had anticipated, not just in terms of the sheer variety of sounds and styles we received, but in the passion and thoughtfulness that came through in every submission.

This series was born out of a simple desire to connect artists and share music that might otherwise never find its way to new ears, and every volume reinforces why we started it in the first place. Whether you're a seasoned producer with years of releases under your belt or someone who's been quietly crafting sounds in your bedroom for the first time, we want to hear from you, this is a space where the only currency is creativity.

We genuinely believe that the magic of a split release lies in the unexpected contrasts and surprising connections between artists who might never have collaborated otherwise, and we are committed to curating each volume with that spirit in mind. So don't second-guess yourself, don't wait until it's "perfect", and don't assume your sound isn't what we're looking for, send it over and let us decide. The door is wide open.

We are also deeply grateful to everyone who has already been part of this journey, to those who submitted, to those who listened and spread the word, and to those who are only now hearing about it for the first time.

You are all part of what makes this worth doing. Let's keep making noise together, the weirder, the darker, the more unexpected, the better. We can't wait to hear what you've got.

RZRecords 6 WAY SPLIT, Vol.2

RZRecords 6 WAY SPLIT, Vol.2



Hot on the heels of Vol.1 it's out extreme pleasure to present: RZRecords 6 WAY SPLIT, Vol.2 !!!

We were lucky enough to be presented with enough materials for two back to back releases. 
This made the process a bit longer because we had to find the right concept for the releases to work in a harmonious way, but this is far from a complaint, it was a pleasure to be trusted with the participants' art, and to come up with a result we are very proud of.

As always, our goal is to find interesting collaboration, to do our tiny part in the promotion of artists you might have not heard of, and in the process to discover new music that excites us.

This is yet again a purely online release, which is spread across several streaming platforms. 
Feel free to share it anywhere, and look for other instances it on other platforms that might pop up later.



The participants in Volume.1 are:
(in order of appearance)
Generically this is a very interesting release, so per our usual MO, there's a huge mash up of genres going on.
While as always, the color palette stays dark, this compilation travels between electronic subgenres such as techno, IDM and ambient, into a more nu-metal inspired side of electronics, followed by low end, dark ambient sound art, finishing with a string of highly creative and very interesting noise tracks.

We can only hope that you enjoy is as much as we did while compiling, and still having fun listening to it.

A huge thanks to participants, listeners, and all the RZRecords folks who worked on it and obviously their families for accepting the weirdos that we are, blasting noise in the middle of the night, running away to our computers to fix stuff, corresponding 24/7 on stuff that "normal" people don't care about.





Itai Matos & gaop - Sfinot

Sfinot, a collaboration between Itai Matos and gaop is now available for streaming, purchase, and as a limited multi-format release.

This three track EP merges noise oriented soundscapes with spoken word poetry.





Here's the original cover, featuring a very young Itai Matos, taken at gaop's bedroom studio, on an early digital camera:



You can find most of Itai's solo albums on his bandcamp, right here: Itai Matos.
We encourage you to follow his page and support him by purchasing his releases. 
His discography is pretty interesting, with tracks in both English and Hebrew, spanning across various genres. 


Retrospective: Revisiting gaop & Haggari Nakashe's Pictures of Gold and Terror (2006)

~ 20 Years of RZRecords, a Retrospective Revisiting Haggari Nakashe & gaop's Pictures of Gold and Terro...