Showing posts with label drone. Show all posts
Showing posts with label drone. Show all posts

Haggari Nakashe presents "Texture Hunt" [new release]

  RZRecords cat: RZR2026HN01 · UPC: 5063958149059 · New Release · Digital & Streaming


Haggari Nakashe - Texture Hunt
Haggari Nakashe - Texture Hunt


Texture Hunt is exactly what the name promises. And I'm still in it.

Winter in Ontario doesn't let go easily. It doesn't ease or soften, it just sits, grey and immovable, pressing down on your chest like a hand. The days are short and the nights are long and somewhere in between them the hours lose their shape entirely. The cold gets into rooms and stays. I stopped counting the days. I stopped a lot of things.

When everything else went quiet in the way that frightens you, I turned to synth and samples the way a drowning person reaches for anything solid. Not out of inspiration, and not out of craft. Out of something closer to desperation, a need to keep my hands moving, to keep some part of me anchored to the physical world while the rest of me drifted somewhere I couldn't always find my way back from.

That period was a low point I'm not sure I've fully crawled out of. There were days when getting out of bed felt like a monumental task, and the idea of doing anything that mattered seemed laughable. Hopelessness was a familiar weight, and exhaustion wasn't just physical, it was a bone-deep weariness with everything. Creating sound became less about a project and more about a basic instinct to feel something other than the numbness. I built sounds the way some people build fires in the dark. Not because it was warm. Because it was something.

What came out of that winter is Texture Hunt: nearly 50 minutes of dark ambient exploration, recorded in rooms where the light barely reached. Drone overtones that breathe like something half-conscious, something that hasn't fully decided whether it's sleeping or waking. Noise that doesn't overwhelm but inhabits, settling into corners, pressing against walls. It is slow and patient, the way depression itself is slow and patient, the way it moves into the walls and the furniture and the silence between your thoughts until you can't remember what the room felt like before it arrived.

The textures here don't announce themselves. They surface. They shift beneath you. They reveal themselves slowly, like shapes in a dark room you're not sure you actually saw, and when you turn to look, they're already somewhere else.

There is a story buried in this record, but I won't hand it to you clean. It lives in the low frequencies, in the feedback that holds just a little too long, in the moments where a layer dissolves and what remains feels uncomfortably exposed. It is a story about a long dark season and what you do inside it when doing nothing becomes its own kind of danger. About using sound as a lifeline, as a ritual, as a way of moving through something that had no visible other side.

This is what winter does when you let it in instead of fighting it. This is what healing sounds like before it looks like anything. Dark, uncertain, patient, sounds used as tools to reach somewhere inside that words kept missing. To hunt for something in the textures of your own making, something that might resemble peace, or feeling, or just the proof that you're still here.

It's still winter here. The snow is still on the ground. I'm still inside.
But the sounds helped. They always do.

Put it on. Sit inside it. Let it move through the dark with you.


Thanks for reading.

Yours,
Haggari.

UIUIUI, Haggari Nakashe & gaop Drop a Chaotic 12-Track Split on RZRecords

RZRecords cat: RZR2025SUHg · UPC: 5063863770034 · New Release · Digital + Vinyl (CD coming soon)

We don't do things quietly around here. You know that. But every once in a while, a release lands that even we weren't fully prepared for, something so unhinged in the best possible way that it makes you want to flip your desk and start moshing in the ruins. The super WOOPER split is exactly that release.

Fifteen minutes and twenty seconds. That's all it takes. Fifteen minutes and twenty seconds of raw, beautiful, organized chaos, twelve tracks of free jazz, experimental noise, punk fury, and psych weirdness. All killer, zero filler.

🖤 Buy the Vinyl on ElasticStage 🖤

Who Are These People and Why Are They Like This

UIUIUI is an experimental duo consisting of Ori Zornitzer (Plopsk6x) and Itay Raiten (Koala), officially headquartered in the legendary and entirely real-sounding Pee Pee Township, Ohio. Their 2023 release UIUIUI – dies made clear what they're about: fourteen tracks of electronic punk, breakcore, hardcore, and full-throttle improvised mayhem. They arrived at this split fully loaded after re-recording some of their materials, ready to beat you up.

And then there's the other half. If you've been following RZRecords for any length of time, Haggari Nakashe and gaop need no introduction. You've seen their names on splits, on drone records, on that one release that made your neighbor knock and ask if everything was okay. gaop has been active since 2000 across noise, dark ambient, IDM, glitch, industrial, jazz, extreme metal, and lo-fi electro-acoustic improv. Haggari Nakashe, sound artist extraordinaire, label co-owner, your familiar, brings the synths, the bass, and the instinct for sonic architecture that longtime RZRecords listeners know and love. From Bad Dreams Revisited to IN DRONE WE TRUST, these two never release the same thing twice.

What Actually Happens on This Record

The super WOOPER split spans electronic punk, avant-punk, drone, grindcore & hardcore, improvisation, jazz-punk, noise rock, and noisegrind. Yes, ALL OF THAST. And it doesn't feel like genre tourism, it feels like three artists who simply live across all these territories.

UIUIUI come in like a caffeinated assault, fractured rhythms, jazz put through the shredder, punk cross-wired with noise electronics. Then Haggari Nakashe and gaop arrive like the back half of a storm: different in weight, equally uncompromising. Two halves in real dialogue. Not a compilation, a serious conversation.


Watch


We've been running splits since before most streaming platforms existed. CDRs, xerox inserts, floppy disks (we failed, but we tried). What makes a great split is the tension between its halves, the dialogue, the way two worlds share the same space and make something larger. The super WOOPER split nails that. UIUIUI and Haggari Nakashe & gaop are not the same kind of beast, but they are absolutely the same kind of hungry.

This one's for the people who still believe that experimental music made on low means and maximum energy is the most honest music there is. We believe that too. We always have.

🖤 Buy the Vinyl on ElasticStage 🖤

The RZRecords Team

EXPLORING NOISE TEXTURES by Haggari Nakashe

 

Usually, it's best to write original content so search engines won't tag you as a spammer copying texts from elsewhere. I guess this time is a perfect opportunity for an exception, as Haggari pretty much sums everything up perfectly, so rewriting his promo blurb into something else would just harm the message, his message.

What's left to add is that this very (sad but) enjoyable release (catalog no. RZR25HNENT)  is available on Bandcamp, and should hit streaming services sometime next month. 

Follow Haggari's Instagram for more updates.






Here's what Haggari had to say:
My latest offering, "EXPLORING NOISE TEXTURES", is a two-track album that delves deep into the interplay between sound and sadness, rethinking personal experiences that might resonate with the listener's emotional landscape via sounds. Each 25-minute track serves as an exploration, where dissonant layers of synth noise weave together delicate ambient-like textures, challenging the inner peace and further exploring notions of music and art in therapy. I feel that in the noise genre, the often-overlooked spaces of sadness and introspection are neglected as the genre tends to sometimes be more anger-driven, transforming raw emotional responses and angst into an auditory assault; where this is an attempt to turn negative emotions into something that serves the purpose of healing, venting and sharing, both haunting and profound, but not as aggressive as HNW tends to feel. I invite listeners to embrace the beauty of chaos and the significance of emotional vulnerability, hoping this could leave you pondering upon your own rich tapestry of sadness and sounds long after the final note fades.



What makes this release particularly compelling is how it challenges the listener's relationship with discomfort. While many noise artists use harshness as a form of confrontation or catharsis through aggression, Haggari opts for a more meditative descent into emotional terrain. The extended 25-minute format of each track isn't just ambitious, it's essential to the work's purpose, allowing the synth textures to gradually build and shift, creating space for genuine introspection rather than immediate impact. This is noise as a slow burn, where the therapeutic potential emerges not from explosive release but from sustained immersion in carefully crafted sonic unease.

For those new to our corner of experimental music, "EXPLORING NOISE TEXTURES" serves as an unexpectedly accessible entry point into the broader world of ambient noise and drone. The album rewards patient listening, ideally with headphones in a darkened room, allowing the layers to reveal themselves over time. We hope that you see how the effort by Haggari Nakashe to continue and demonstrate that he's vital to the underground experimental community since the early 2000s, consistently championing work that refuses easy categorization. If this release resonates with you, make sure to explore the rest of Haggari's catalog and keep an eye on RZR's ongoing split series, which regularly pairs complementary artists in ways that spark unexpected creative dialogue.

Beyond Bandcamp and streaming platforms, Haggari has been steadily building a visual dimension to his sonic explorations through the RZRecords YouTube channel, which he currently operates. The channel features videos accompanying his music, adding another layer to the immersive experience he's crafting. For those who want to dive deeper into his creative process or experience his work in a different format, the YouTube channel offers an evolving archive of his output. It's worth subscribing not just for the music itself, but to witness how Haggari continues to expand the ways listeners can engage with his brand of introspective noise, visual accompaniment often transforming these already meditative pieces into something approaching installation art.

4AU by Sabixatzil, Haggari Nakashe, gaop & NishMa

We have some very exciting news to share!

Today, this killer release is dropping via our good friend, Fruit Exports.

This gloomy and doomy 25-minute-long session is a an amalgamation of various musical styles, blending elements of free jazz, noise, drone, and doom, along with a bunch of other genres that cleverly overlap within this eclectic Venn diagram. 

It was a fun live session that some of the RZRecords team had the pleasure of participating in, each contributing their unique vibe, flair, and creative energy to the groovy noise-soundscape we crafted together.

The lineup was:
Sabixatzil - Guitar
Haggari Nakashe - Synths
gaop - Clarinet
NishMa - Drums, percussion

Following the live session, the original source files underwent a light process of re-editing, during which we infused the recording with some studio magic, and sprinkled some more dirt on it, enhancing the auditory experience and further elevating the raw sounds we had initially produced. 

This refinement transformed our joined performance into a polished-turd-like piece of noise art, capturing the essence of our improvisational exploration while also offering a more cohesive listening experience. But you can be the judge of that.

We were incredibly fortunate to connect with the wonderful folks at the Fruit Exports label, who expressed interest in our work and graciously agreed to release this session for the world to hear. Their support and enthusiasm for our project not only provided us with a wider platform but also validated the creative efforts of all the artists involved. 

This isn't just a collaboration between artists but also a collaboration between like-minded labels, and we strongly encourage you to check out their other releases on their Bandcamp, which have been accumulating over the last year, as there's a lot of inspiring music coming from them.

We are eagerly looking forward to sharing this unique sonic experience with you, don't feel pressured though. We're also looking forward to collaborating with Fruit Exports again in the very near future!

This EP is available for streaming and name-your-price download on the Fruit Exports Bandcamp.





The instrumental lineup here creates fascinating textural possibilities that wouldn't emerge in a more conventional band setup. Sabixatzil's guitar provides the foundation of grit and distortion, while Haggari's synths wash over everything with oscillating dread. But it's gaop's clarinet that becomes the wildcard, a voice that slips between melodic fragments and squealing dissonance, sometimes conversing with the rhythm section, sometimes fighting against it. NishMa's percussion work anchors the chaos without attempting to tame it, providing just enough structure to keep the whole thing from dissolving entirely while still leaving space for the improvisation to breathe and mutate. This combination of traditional jazz instrumentation (clarinet, drums) with noise elements (synth abuse, distorted guitar) creates a sonic middle ground where neither genre dominates, resulting in something genuinely hybrid.

The partnership with Fruit Exports represents exactly the kind of cross-pollination that keeps experimental music communities vital and interconnected. Rather than operating in isolation, RZRecords continues to build bridges with like-minded outlets, creating networks of support that benefit everyone involved. Fruit Exports has been quietly building an impressive catalog over the past year, and this collaboration gives both labels' audiences a chance to discover new artists they might have otherwise missed. The name-your-price model on Bandcamp also reflects a shared philosophy about accessibility, these aren't releases designed to maximize profit, but rather to maximize reach and impact. When underground labels collaborate like this, they're not just releasing music; they're actively building the infrastructure that allows experimental music to survive and thrive outside commercial channels.

The Spirit of Jazz Compels You, by Haggari Nakashe & gaop

This is a single-track, 40-minute-long album, released in a very fun collaboration via two other labels: Splitting Sounds Records, from Serbia and Noyade Records, from Russia.

This is really pure joy. It's the excitement of an international collaboration with such amazing labels that release hidden gems, doing us the favor of bringing us in and allowing us the pleasure of joining their circle.
It's the joy of experimental music. Supporting a release that flows like a painting, it has a beautiful droning backdrop, layers of pads, noise, and acoustic instruments. What else could one ask for?
Not much really. 

Haggari Nakashe is on most electronics & gaop is on noise woodwinds.


The Spirit of Jazz Compels You




Released on Splitting Sounds Records as SSR​​​-​​​RR​​​-​​​0248
Released on RZRecords as RZR24SoSc

"The Spirit of Jazz Compels You" represents a somewhat groundbreaking fusion of experimental jazz, drone music, and ambient soundscapes that pushes the boundaries of contemporary improvised music. This 40-minute journey through doom jazz and noise jazz territories combines acoustic woodwind instruments with electronic processing to create a sonic experience that appeals to fans of avant-garde jazz artists like John Zorn, The Kilimanjaro Darkjazz Ensemble, and Bohren & der Club of Gore. The collaboration between Haggari Nakashe's electronic manipulations and gaop's experimental clarinet work produces layered drone textures that evoke the atmospheric qualities of dark jazz while maintaining the spontaneous energy of free improvisation. Listeners searching for experimental electronic music, atmospheric jazz, or drone ambient compositions will find this release particularly compelling, as it seamlessly merges multiple subgenres into a cohesive artistic statement available on Spotify, Bandcamp, and all major streaming platforms.

Be sure to visit, support, and follow these fellow creatives:

Splitting Sounds Records:



Don't forget to follow the RZRecords Bandcamp which is finally back.








This release is also available on Spotify and most streaming platforms.

This international music collaboration between RZRecords, Splitting Sounds Records from Serbia, and Noyade Records from Russia demonstrates the global reach of underground experimental music networks in 2024. Independent record labels specializing in avant-garde music, noise releases, and experimental jazz continue to build cross-border partnerships that help promote underground artists and distribute limited-edition releases to worldwide audiences. Splitting Sounds Records has established itself as a prominent Serbian experimental music label, while Noyade Records brings Russian underground music perspectives to this tri-label collaboration. For fans of international experimental music and collectors of independent label releases, this partnership represents the kind of grassroots music distribution that keeps experimental jazz and avant-garde improvisation thriving outside mainstream music industry channels.

Extended format experimental music releases like "The Spirit of Jazz Compels You" offer listeners a meditative deep-listening experience that contrasts sharply with contemporary short-form digital music consumption. This single 40-minute composition follows in the tradition of long-form ambient music and extended jazz improvisation, requiring dedicated listening time to fully appreciate the evolving textures and gradual sonic transformations. The album's structure allows drone elements to develop organically while woodwind improvisations weave through electronic pads and noise textures, creating an immersive soundscape ideal for focused listening sessions, creative work, or contemplative environments. Fans of artists like Brian Eno's ambient works, Stars of the Lid's drone compositions, or extended free jazz recordings will appreciate the album's patient pacing and attention to textural detail. Available as a high-quality digital download on Bandcamp and streaming on Spotify, Apple Music, and other platforms, this release joins a growing catalog of experimental music that prioritizes artistic vision over commercial radio formatting, offering listeners seeking challenging and rewarding musical experiences an essential addition to their experimental jazz and drone music collections.

Chamber, by Haggari Nakashe

In "Chamber", Haggari Nakashe takes listeners on an auditory journey melding dark ambient, noise, synth drones, and electro-acoustic elements into what often feels as a tundra-like soundscape. This album features five meticulously crafted tracks that delve into the intricate relationship between sound patterns and the emotional landscape of depression. With a keen focus on how specific frequencies resonate with human psyche, Nakashe employs an experimental approach, transforming simple melodic lines into complex layers that somehow evoke both unease and calm, relaxed introspection. The album’s haunting textures and immersive atmospheres reflect the artist's personal struggles, offering a sonic interpretation of his experiences with mental health.



Each track on "Chamber" serves as an exploration of the delicate interplay between sound and emotion, inviting listeners to confront their own emotional responses as they journey through the music. Nakashe's fusion of harsh noise with ambient tranquillity creates a dynamic listening experience that challenges preconceived notions of beauty in mind and sound. By manipulating frequency and resonance, he seeks to illustrate how audio can serve a multiple purpose as a reflection and an exploration of depression, but also a healing space in both the consumption and creation of sound-art, allowing a space for catharsis and understanding. As the album unfolds, listeners find themselves navigating through dissonance and harmony, ultimately culminating in a meditative realization of the complex nature of emotional healing through sound.




"Chamber" stands as a landmark achievement in contemporary experimental electronic music and sound art, positioning Haggari Nakashe among the most compelling voices in the global dark ambient and drone music scenes of 2024. Released through RZRecords on October 31st, a fitting Halloween release for its spectral sonic architecture, this five-track album demonstrates sophisticated synthesis techniques and psychoacoustic composition methods that align with the healing traditions of sound therapy while maintaining the uncompromising aesthetic of experimental noise music. The album's exploration of frequency manipulation recalls the pioneering work of artists like Éliane Radigue, Pauline Oliveros, and contemporary drone artists such as Sarah Davachi and Kali Malone, yet Nakashe's unique integration of electroacoustic processing with synthesizer-based drone compositions creates a distinctly personal voice within the experimental music landscape. Each track functions as both autonomous sonic installation and integral movement within a larger conceptual framework addressing mental health through sound, an increasingly vital intersection in contemporary experimental music, where artists like The Caretaker, Grouper, and Loscil have similarly explored themes of memory, loss, and psychological states through immersive ambient soundscapes. 

For listeners searching for therapeutic music, meditation soundscapes, or experimental ambient albums that balance artistic rigor with emotional accessibility, "Chamber" offers an entry point into deep listening practices while rewarding sustained attention with subtle textural shifts and harmonic variations that reveal themselves only through repeated engagement. Available on Bandcamp as a high-quality digital download and streaming on Spotify, Apple Music, and other major platforms, the album has garnered attention from experimental music communities, sound healing practitioners, and fans of artists ranging from Tim Hecker and Ben Frost to more extreme noise artists like Merzbow and Pharmakon, demonstrating its unique position bridging ambient tranquility with noise music's cathartic intensity. 
The tundra-like soundscapes referenced in the album's aesthetic approach evoke the vast, desolate beauty found in Nordic ambient music traditions while incorporating modular synthesis techniques and granular processing common in contemporary electroacoustic composition, creating immersive sound environments ideal for contemplative listening, creative work, or therapeutic applications in music therapy and mindfulness practices focused on processing depression, anxiety, and emotional trauma through intentional sonic engagement.

xPhin - takahashi

 

xPhin - takahashi, album cover by Azalia Imamutdinova
xPhin - takahashi, album cover by Azalia Imamutdinova


It brings us much joy to inform you about the next release!
xPhin's "takahashi" is a unique delight, and every single track on this concept album is a certified banger.

It's a wonderful type of minimalistic ambient music, originating in noise, but existing as melodic synth drones with a certain punch to them. That is until you get to the parts of the album where it's a full-blown, face-melting, HNW assault. This album has intricate layers, subtle motifs, and well-thought-out complexity.
In "takahashi", xPhin is a skilled storyteller, taking you on a journey. 

Speaking of tales and journeys, the nine tracks on this album might or might not correspond with the nine panels of the album cover. It's up to the listener to decipher and establish the connection. Tell us if you do, please; as the abstract might (and should) resonate differently with each listener. 

xPhin is a name you might recall from RZRecords 6 WAY SPLIT, Vol.2  to which he contributed the track Dark Macadamia. It's a huge pleasure for us to have him back in our ranks; especially for such a wonderful album. 

Here's to many more releases such as this one, and peace on earth, obviously.


Honey & Cream by Les Carnages Possibles, NishMa & gaop

 




Honey & Cream offers an intriguing take on the original track, "Honey Hunting" by Les Carnages Possibles and NishMa, now reimagined by gaop. Like the original, this release features the same mesmerizing drones and captivating female vocals enveloped in dark ambient sounds, but it adds to it.

This edited and overdubbed version takes the emotionally charged original, adding delicate layers of synth drones, subtle hiss noises, and woodwinds, resulting in a beautiful and poignant tribute with a unique character of its own.

This remix isn't just a cover; it’s a true deconstructed club-inspired metamorphosis. Where the original "Honey Hunting" felt like a drift through a vast, dark cavern, gaop’s version builds intimate, claustrophobic chambers within that space. By isolating the ethereal female vocals and threading them through gauzy layers of hiss and woodwind, the artist transforms the emotional core from one of searching to one of lingering memory. It’s a masterclass in how dark ambient music can be both deeply personal and universally resonant, proving that restraint often yields the most profound impact.

Listen closely with your top quality headphones, and you’ll discover gaop’s subtle genius in the negative space. The added synthesizer drones don’t compete with the original drone work; instead, they act as a warm, melancholic shadow, bending the pitch ever so slightly to create gentle, microtonal dissonances. This technique, paired with the deliberate inclusion of crackle and hiss, bridges the gap between pristine digital production and the warmth of worn-out vinyl. It makes "Honey & Cream" feel less like a digital file and more like a cherished, physical artifact, a fleeting moment captured beautifully on dusty tape.

"3" by cÆNINEZ, Haggari Nakashe & gaop, and SMEGMASMOG is finally out on all platforms!


3 by cÆNINEZ, Haggari Nakashe & gaop, SMEGMASMOG



"3" is a split release by cÆNINEZ, Haggari Nakashe & gaop, and SMEGMASMOG, showcasing just how interesting, layered, dynamic, and complex noise music can be.

This release is a standing proof of the greatness of a genre, which is often blamed for being diluted by an infinite number of artists on their home computers. 

With only three tracks, and clocking just under half an hour, this release brings forth a potpourri of haunting sounds, the darkest of ambients, drones, shrieks, and beeps. 

With the sheer amount of music released every second, this testament to the remarkable side of noise might get lost to time, only to be occasionally remembered by the participants themselves. But such is always the nature and risk of music. This is especially true for noise music genres. The constant fate of extreme, independent, and experimental releases that have little to no mass appeal to begin with.

At the end of the day, it is up to each and every one of us to make sure that the music we love is not overshadowed by the passage of time. The artists, the labels, the listeners, the people sharing links online, we each do our tiny part in appreciation and preservation. It's a delicate ecosystem, and we hope that our work on bringing forth "3" is nurturing enough for you to keep on flourishing. 





Releases like "3" face constant risk of being lost to algorithmic noise. By writing about, sharing, and archiving these works, listeners become active participants in experimental music preservation. Every stream, download, and blog mention acts as evidence that this corner of the underground exists. If you create avant-jazz, drone, HNW, or noise rock, we want to hear it. Read our guide, then hit us up for a spot on our split series. The ecosystem survives only when we each do our tiny part.

Unlike solo albums, splits foster direct dialogue between artists. They are the most accessible entry point for listeners new to depressive blackened noise or electroacoustic improvisation. They require no expensive studio time, only the willingness to share space with another artist's vision.

In Drone We Trust, by NishMa, Haggari Nakashe and gaop

 A while back we told you about an upcoming special release that wasn't only a collaboration between artists, but also a joint effort between RZRecords and Ranger Magazine.

Ranger Magazine was the first platform on which we released IN DRONE WE TRUST, the dreamy, spooky, wonderfully haunting album by NishMa, Haggari Nakashe, and gaop.

This release is interesting as it's almost a meditative trance of sorts, while also being heavy-hitting (bordering on doom metal aesthetics) at times, and ambient-like, droning, and experimental enough to contain elements of noise and free jazz.


IN DRONE WE TRUSTIN DRONE WE TRUST BACK


We're now glad to announce that this album is available on all streaming platforms, and if not all then surely most of the big ones. 

Please, go on and enjoy this thing of beauty.



One last note: while this year our main focus is releasing and distributing digital albums, we are considering releasing this gem in physical format. This will mostly be up to our listeners, which is based on the play statistics.

Every now and then we toy around with the thought of doing new CDR releases, cassettes, and even vinyl, but as of now, there was no special demand that we noticed. If you feel strongly about owning 
our releases or merch, please let us know!!!

gaop - Heavenly Jazz Noise Father

We've been quite busy with releasing music, and that took a toll on posting about said music.

Be warned, there are going to be numerous posts about numerous releases.

You might even like some!

Heavenly Jazz Noise Father by gaop


Heavenly Jazz Noise Father by gaop is a three track electro-acoustic-jazz-noise EP. Clocking in just under 20 minutes but delivering all of the goods.

Here's the blurb that was originally posted by gaop:

An exploration of the Jazz-Noise spectrums. Walking the sacred grounds between the two genres, with a heavy bag of influences.
The goal in mind for this EP was to somewhat fuse two genres, using their commonalities.
These tracks utilize the electronic, acoustic, instrumental, harsh, experimental, improvisational, intense, cerebral and carnal, to produce an interesting palette.

Earlier variations of the tracks in this EP appeared in compilations this year, but were revisited, re-edited, and partially re-recorded for the occasion.

And that's about it.

No further description required, really. Just take a listen.

I couldn't have worded it better myself. 

Adding a Bandcamp embed of the album below, so you can play it without bothering yourself with a search.


[UPCOMING] In Drone We Trust - in collaboration with Ranger Magazine

We're very excited to share that the soon to be published issue #4 of the wonderful Ranger Magazine will include a premiere release of In Drone We Trust, the long awaited collaboration between NishMa, Haggari Nakashe & gaop.

This nine track album has been in the works for the entirety of 2023, with a few singles (with earlier versions of the tracks) appearing throughout the year on compilations.

The album is (obviously) drone heavy, incorporating elements of dark ambient, noise, experimental or avant-garde metal, and just a dash of woodwind instruments and world music motifs.

Ranger magazine is a web publication (with printed copies) dedicated to experimental art, poetry, music and film. We encourage you to explore past issues and stay tuned for issue #4.




In Drone We Trust, by NishMa, Haggari Nakashe & gaop


Synth & Sax for the Elderly by Haggari Nakashe & gaop

Now here's a fun little treat!

A new collab album by Haggari Nakashe & gaop.

It's been on repeat at RZRHQ since we got the master files, happy days indeed.

This one is a bit of everything thrown into the lab, a tad of jazz, ambient, drone, beats, noise, a very good listen.


A word from the artists:

Synth & Sax for the Elderly, a collaboration between gaop and Haggari Nakashe, paying homage to our ancestors via noisy drones, sax abuse and a few beats. Inspired by life itself.




 

Psychic War Against Cop City: An Extreme Music Compilation

The kind folks over at Delirium Psychosis Productions released a 50 track compilation titled "Psychic War Against Cop City: An Extreme Music Compilation" with the profits going to the Atlanta Solidarity Fund.

It's a good compilation with lots of interesting tracks and genres, and a very good cause.

Some of our artists participated, so if you're into the stuff we're doing, here's a great opportunity to contribute or just take a moment to learn about this important cause.





Here are the direct links to the tracks:
Haggari Nakashe's track is a synth drone gone noise. gaop & Nishma's track is multilayered noise, with drums and heavily distorted woodwinds. Paxit delivered straight up experimental doom metal.

'Topic to Topic #2' by gaop & Haggari Nakashe

The following release sparks much joy in our hears.

It's a collaboration between Haggari Nakashe and gaop that's both beautiful and intelligent.

The rich, dark, ambient sounds of this track, are haunting and lovely, blending piano with synths in a droning and slows manner, suitable for both active and passive listening.


Here are a few words from the artists:

'Topic to Topic #2' is a musical experiment that seeks to examine what would happen to a piano composition ripped out from the modern or post modern genres, into the realms of downtempo, electronic drone music, effect-heavy and synth-laden.

The result is this atmospheric, 34 minute track. Beeping, humming, dragging like doom metal, yet retaining its grace.

Reflections by Haggari Nakashe & gaop

Reflections, by Haggari Nakashe & gaop, is an hour long drone / dark ambient piece, with electroacoustic and musique concrète overtones.

It's suitable for trance like states, deep thinking, meditation, frightening trips, horror movies and probably nature movies too.


Available on all streaming platforms, but mostly for purchase on Bandcamp (below) and on Spotify.

NishMa, gaop & Haggari Nakashe - The Hidden Hand

RZRecords proudly present The Hidden Hand, a brand new single by NishMa, gaop & Haggari Nakashe, collaborating on a drone oriented noise track, accompanied by live drums.

The track is available for streaming on most platforms, and for purchase via BandCamp.

2023 is looking great release wise, with a strong first quarter, and a few more surprises up our sleeve for the near future.



gaop - Moth

This type of post is really fun (for us to do), a blast from the past if you will.
We hope you appreciate it cos sometimes nostalgia can be a bit like smelling your own farts. That said, so is experimental music, so there's that. We can only hope you like it.

This post is dated back, but we're actually writing it in the future, or present, because while the release is from the past, the update is of the here and now type.

The release, Moth, by gaop, is one of the first physical copy releases by RZR. Dating back to 2004-2005.
Originally released as a four track EP (tracks 1-4). Later released with three additional tracks (and another hidden gem that kicks in after three minutes of silence).

The CDR came in a paper sleeve, with the art and details xeroxed and glued on both sides. Some versions of the CDR were numbered, some were spraypainted, there were several batches. Everything was put together after hours, in various living rooms.

Here are pictures of a copy of the release, taken by Bulletproof Socks, which also provided a short review (click the link). Hope they don't mind we use it, cos in the present we don't have any more physical copies of it to photograph.






Primitive stuff, but those were the glory days of DIY.

The release itself is a wonderful journey into dark ambient, experimental sounds (mostly voice based sound art), feedback, drones and noise. 

This humble release got lots of reviews that made us proud, both the positive and the negative. Unfortunately, most blogs, zines and sites the provided those reviews are no longer in existence, so there's nothing to link to, nowhere to copy paste from. 

In those days, MySpace was our biggest platform (it catered mostly to emo kids, but we found some great collabs on it, and traded our releases with some of the biggest names in noise back then), YouTube wasn't yet what it is today, and the review sites were our way to get the word out there.
So much changed since then, it's no wonder that some of our stuff is now lost to time.

Uploading everything to streaming services makes everything easier, but the above also serves as a lesson - platforms die, so do hard drives. Always back up your stuff and save copies!



Above is the Spotify embed, but you can also find it on lots of other platforms.
Please make sure to follow our various profiles to get updates about the stuff we do, or in this case DID, sometime in the past.


PS:
I was now reminded that there in fact were some inserts that came with the CDR, but we don't have any recollection as to what they were.
Maybe some day we'll reach out to people that have the release according to our Discogs, but we're probably not going to do that anytime soon. Also, Discogs is not really friendly towards us, so please, feel free to add or edit our releases, we're not good at it.

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