Showing posts with label drone music. Show all posts
Showing posts with label drone music. Show all posts

Haggari Nakashe presents "Texture Hunt" [new release]

  RZRecords cat: RZR2026HN01 · UPC: 5063958149059 · New Release · Digital & Streaming


Haggari Nakashe - Texture Hunt
Haggari Nakashe - Texture Hunt


Texture Hunt is exactly what the name promises. And I'm still in it.

Winter in Ontario doesn't let go easily. It doesn't ease or soften, it just sits, grey and immovable, pressing down on your chest like a hand. The days are short and the nights are long and somewhere in between them the hours lose their shape entirely. The cold gets into rooms and stays. I stopped counting the days. I stopped a lot of things.

When everything else went quiet in the way that frightens you, I turned to synth and samples the way a drowning person reaches for anything solid. Not out of inspiration, and not out of craft. Out of something closer to desperation, a need to keep my hands moving, to keep some part of me anchored to the physical world while the rest of me drifted somewhere I couldn't always find my way back from.

That period was a low point I'm not sure I've fully crawled out of. There were days when getting out of bed felt like a monumental task, and the idea of doing anything that mattered seemed laughable. Hopelessness was a familiar weight, and exhaustion wasn't just physical, it was a bone-deep weariness with everything. Creating sound became less about a project and more about a basic instinct to feel something other than the numbness. I built sounds the way some people build fires in the dark. Not because it was warm. Because it was something.

What came out of that winter is Texture Hunt: nearly 50 minutes of dark ambient exploration, recorded in rooms where the light barely reached. Drone overtones that breathe like something half-conscious, something that hasn't fully decided whether it's sleeping or waking. Noise that doesn't overwhelm but inhabits, settling into corners, pressing against walls. It is slow and patient, the way depression itself is slow and patient, the way it moves into the walls and the furniture and the silence between your thoughts until you can't remember what the room felt like before it arrived.

The textures here don't announce themselves. They surface. They shift beneath you. They reveal themselves slowly, like shapes in a dark room you're not sure you actually saw, and when you turn to look, they're already somewhere else.

There is a story buried in this record, but I won't hand it to you clean. It lives in the low frequencies, in the feedback that holds just a little too long, in the moments where a layer dissolves and what remains feels uncomfortably exposed. It is a story about a long dark season and what you do inside it when doing nothing becomes its own kind of danger. About using sound as a lifeline, as a ritual, as a way of moving through something that had no visible other side.

This is what winter does when you let it in instead of fighting it. This is what healing sounds like before it looks like anything. Dark, uncertain, patient, sounds used as tools to reach somewhere inside that words kept missing. To hunt for something in the textures of your own making, something that might resemble peace, or feeling, or just the proof that you're still here.

It's still winter here. The snow is still on the ground. I'm still inside.
But the sounds helped. They always do.

Put it on. Sit inside it. Let it move through the dark with you.


Thanks for reading.

Yours,
Haggari.

EXPLORING NOISE TEXTURES by Haggari Nakashe

 

Usually, it's best to write original content so search engines won't tag you as a spammer copying texts from elsewhere. I guess this time is a perfect opportunity for an exception, as Haggari pretty much sums everything up perfectly, so rewriting his promo blurb into something else would just harm the message, his message.

What's left to add is that this very (sad but) enjoyable release (catalog no. RZR25HNENT)  is available on Bandcamp, and should hit streaming services sometime next month. 

Follow Haggari's Instagram for more updates.






Here's what Haggari had to say:
My latest offering, "EXPLORING NOISE TEXTURES", is a two-track album that delves deep into the interplay between sound and sadness, rethinking personal experiences that might resonate with the listener's emotional landscape via sounds. Each 25-minute track serves as an exploration, where dissonant layers of synth noise weave together delicate ambient-like textures, challenging the inner peace and further exploring notions of music and art in therapy. I feel that in the noise genre, the often-overlooked spaces of sadness and introspection are neglected as the genre tends to sometimes be more anger-driven, transforming raw emotional responses and angst into an auditory assault; where this is an attempt to turn negative emotions into something that serves the purpose of healing, venting and sharing, both haunting and profound, but not as aggressive as HNW tends to feel. I invite listeners to embrace the beauty of chaos and the significance of emotional vulnerability, hoping this could leave you pondering upon your own rich tapestry of sadness and sounds long after the final note fades.



What makes this release particularly compelling is how it challenges the listener's relationship with discomfort. While many noise artists use harshness as a form of confrontation or catharsis through aggression, Haggari opts for a more meditative descent into emotional terrain. The extended 25-minute format of each track isn't just ambitious, it's essential to the work's purpose, allowing the synth textures to gradually build and shift, creating space for genuine introspection rather than immediate impact. This is noise as a slow burn, where the therapeutic potential emerges not from explosive release but from sustained immersion in carefully crafted sonic unease.

For those new to our corner of experimental music, "EXPLORING NOISE TEXTURES" serves as an unexpectedly accessible entry point into the broader world of ambient noise and drone. The album rewards patient listening, ideally with headphones in a darkened room, allowing the layers to reveal themselves over time. We hope that you see how the effort by Haggari Nakashe to continue and demonstrate that he's vital to the underground experimental community since the early 2000s, consistently championing work that refuses easy categorization. If this release resonates with you, make sure to explore the rest of Haggari's catalog and keep an eye on RZR's ongoing split series, which regularly pairs complementary artists in ways that spark unexpected creative dialogue.

Beyond Bandcamp and streaming platforms, Haggari has been steadily building a visual dimension to his sonic explorations through the RZRecords YouTube channel, which he currently operates. The channel features videos accompanying his music, adding another layer to the immersive experience he's crafting. For those who want to dive deeper into his creative process or experience his work in a different format, the YouTube channel offers an evolving archive of his output. It's worth subscribing not just for the music itself, but to witness how Haggari continues to expand the ways listeners can engage with his brand of introspective noise, visual accompaniment often transforming these already meditative pieces into something approaching installation art.

Chamber, by Haggari Nakashe

In "Chamber", Haggari Nakashe takes listeners on an auditory journey melding dark ambient, noise, synth drones, and electro-acoustic elements into what often feels as a tundra-like soundscape. This album features five meticulously crafted tracks that delve into the intricate relationship between sound patterns and the emotional landscape of depression. With a keen focus on how specific frequencies resonate with human psyche, Nakashe employs an experimental approach, transforming simple melodic lines into complex layers that somehow evoke both unease and calm, relaxed introspection. The album’s haunting textures and immersive atmospheres reflect the artist's personal struggles, offering a sonic interpretation of his experiences with mental health.



Each track on "Chamber" serves as an exploration of the delicate interplay between sound and emotion, inviting listeners to confront their own emotional responses as they journey through the music. Nakashe's fusion of harsh noise with ambient tranquillity creates a dynamic listening experience that challenges preconceived notions of beauty in mind and sound. By manipulating frequency and resonance, he seeks to illustrate how audio can serve a multiple purpose as a reflection and an exploration of depression, but also a healing space in both the consumption and creation of sound-art, allowing a space for catharsis and understanding. As the album unfolds, listeners find themselves navigating through dissonance and harmony, ultimately culminating in a meditative realization of the complex nature of emotional healing through sound.




"Chamber" stands as a landmark achievement in contemporary experimental electronic music and sound art, positioning Haggari Nakashe among the most compelling voices in the global dark ambient and drone music scenes of 2024. Released through RZRecords on October 31st, a fitting Halloween release for its spectral sonic architecture, this five-track album demonstrates sophisticated synthesis techniques and psychoacoustic composition methods that align with the healing traditions of sound therapy while maintaining the uncompromising aesthetic of experimental noise music. The album's exploration of frequency manipulation recalls the pioneering work of artists like Éliane Radigue, Pauline Oliveros, and contemporary drone artists such as Sarah Davachi and Kali Malone, yet Nakashe's unique integration of electroacoustic processing with synthesizer-based drone compositions creates a distinctly personal voice within the experimental music landscape. Each track functions as both autonomous sonic installation and integral movement within a larger conceptual framework addressing mental health through sound, an increasingly vital intersection in contemporary experimental music, where artists like The Caretaker, Grouper, and Loscil have similarly explored themes of memory, loss, and psychological states through immersive ambient soundscapes. 

For listeners searching for therapeutic music, meditation soundscapes, or experimental ambient albums that balance artistic rigor with emotional accessibility, "Chamber" offers an entry point into deep listening practices while rewarding sustained attention with subtle textural shifts and harmonic variations that reveal themselves only through repeated engagement. Available on Bandcamp as a high-quality digital download and streaming on Spotify, Apple Music, and other major platforms, the album has garnered attention from experimental music communities, sound healing practitioners, and fans of artists ranging from Tim Hecker and Ben Frost to more extreme noise artists like Merzbow and Pharmakon, demonstrating its unique position bridging ambient tranquility with noise music's cathartic intensity. 
The tundra-like soundscapes referenced in the album's aesthetic approach evoke the vast, desolate beauty found in Nordic ambient music traditions while incorporating modular synthesis techniques and granular processing common in contemporary electroacoustic composition, creating immersive sound environments ideal for contemplative listening, creative work, or therapeutic applications in music therapy and mindfulness practices focused on processing depression, anxiety, and emotional trauma through intentional sonic engagement.

"3" by cÆNINEZ, Haggari Nakashe & gaop, and SMEGMASMOG is finally out on all platforms!


3 by cÆNINEZ, Haggari Nakashe & gaop, SMEGMASMOG



"3" is a split release by cÆNINEZ, Haggari Nakashe & gaop, and SMEGMASMOG, showcasing just how interesting, layered, dynamic, and complex noise music can be.

This release is a standing proof of the greatness of a genre, which is often blamed for being diluted by an infinite number of artists on their home computers. 

With only three tracks, and clocking just under half an hour, this release brings forth a potpourri of haunting sounds, the darkest of ambients, drones, shrieks, and beeps. 

With the sheer amount of music released every second, this testament to the remarkable side of noise might get lost to time, only to be occasionally remembered by the participants themselves. But such is always the nature and risk of music. This is especially true for noise music genres. The constant fate of extreme, independent, and experimental releases that have little to no mass appeal to begin with.

At the end of the day, it is up to each and every one of us to make sure that the music we love is not overshadowed by the passage of time. The artists, the labels, the listeners, the people sharing links online, we each do our tiny part in appreciation and preservation. It's a delicate ecosystem, and we hope that our work on bringing forth "3" is nurturing enough for you to keep on flourishing. 





Releases like "3" face constant risk of being lost to algorithmic noise. By writing about, sharing, and archiving these works, listeners become active participants in experimental music preservation. Every stream, download, and blog mention acts as evidence that this corner of the underground exists. If you create avant-jazz, drone, HNW, or noise rock, we want to hear it. Read our guide, then hit us up for a spot on our split series. The ecosystem survives only when we each do our tiny part.

Unlike solo albums, splits foster direct dialogue between artists. They are the most accessible entry point for listeners new to depressive blackened noise or electroacoustic improvisation. They require no expensive studio time, only the willingness to share space with another artist's vision.

In Drone We Trust, by NishMa, Haggari Nakashe and gaop

 A while back we told you about an upcoming special release that wasn't only a collaboration between artists, but also a joint effort between RZRecords and Ranger Magazine.

Ranger Magazine was the first platform on which we released IN DRONE WE TRUST, the dreamy, spooky, wonderfully haunting album by NishMa, Haggari Nakashe, and gaop.

This release is interesting as it's almost a meditative trance of sorts, while also being heavy-hitting (bordering on doom metal aesthetics) at times, and ambient-like, droning, and experimental enough to contain elements of noise and free jazz.


IN DRONE WE TRUSTIN DRONE WE TRUST BACK


We're now glad to announce that this album is available on all streaming platforms, and if not all then surely most of the big ones. 

Please, go on and enjoy this thing of beauty.



One last note: while this year our main focus is releasing and distributing digital albums, we are considering releasing this gem in physical format. This will mostly be up to our listeners, which is based on the play statistics.

Every now and then we toy around with the thought of doing new CDR releases, cassettes, and even vinyl, but as of now, there was no special demand that we noticed. If you feel strongly about owning 
our releases or merch, please let us know!!!

You Will Know Them by Their Fruits by NishMa, Haggari Nakashe & gaop

 

You Will Know Them by Their Fruits by NishMa, Haggari Nakashe & gaop



An hour-long sonic journey awaits you, featuring three distinct tracks, co-created by three talented artists.

Get ready to immerse yourself in the haunting sounds of drone, dark jazz, ambient, and doom music, all brought to life through a unique blend of woodwinds, drums, electric pianos, synths, bass, and even some bells.

Brace yourself for an otherworldly experience "like no other", brought to you by the collaborative efforts of NishMa, Haggari Nakashe, and gaop.

You Will Know Them by Their Fruits is an interesting experience, and we're glad that RZRecords is part of it.

NishMa, Haggari Nakashe, and gaop have masterfully crafted a musical tapestry that slightly pushes boundaries and defies boring traditional genre constraints. The two longer tracks within this sonic journey (25 and 33 minutes long) unfold like a chapter in a mysterious narrative, drawing you in with hypnotic rhythms, evocative melodies, and subtle nuances. The third, much shorter track, serves as an intermission between these two mammoths.

As you delve deeper into the intricacies of this collaborative effort, you will find yourself completely enchanted by the seamless convergence of drone, doom's brooding intensity, jazz's soulful improvisation, and ambient music's ethereal atmospheres. The result is a rich tapestry of sound that transcends genres, offering a somewhat unique and immersive listening experience that might not be "unlike any other," as musical innovation is hard to do, but what it does is stand tall, on the shoulders of giants. The giants of jazz-doom.

Musical innovation is hard. Musical innovation involves pushing boundaries, challenging norms, and breaking new ground in the world of music. That's not an easy task. It requires dedication, perseverance, and a willingness to take risks. It takes mastery, honed through a lifetime of practicing, experimenting, education, or just the rare gift of natural talent.

That said, experimenting with music is a delightful and refreshing endeavor that can bring joy and excitement to your life as an artist or even a listener. Whether you're trying out a new instrument, exploring different genres, or creating your own combo of genres and sounds, music is a therapeutic and invigorating experience. Not only does it stimulate your creativity and imagination, but it also has positive effects on your mental and emotional well-being (this is a plug for Haggari's upcoming album "Chamber").

So, what is an experimental collaborative album? Is it a cure for the masses? A way for friends to pass the time and have some fun? A bold way to go where others went before? All I'm saying is, doom-jazz is a genre that needs to be more popular, and this release is a good place to start.


NishMa: drums
Haggari Nakashe: tape loops, synths, bells
gaop: electric piano, bass, woodwind instruments



[UPCOMING] In Drone We Trust - in collaboration with Ranger Magazine

We're very excited to share that the soon to be published issue #4 of the wonderful Ranger Magazine will include a premiere release of In Drone We Trust, the long awaited collaboration between NishMa, Haggari Nakashe & gaop.

This nine track album has been in the works for the entirety of 2023, with a few singles (with earlier versions of the tracks) appearing throughout the year on compilations.

The album is (obviously) drone heavy, incorporating elements of dark ambient, noise, experimental or avant-garde metal, and just a dash of woodwind instruments and world music motifs.

Ranger magazine is a web publication (with printed copies) dedicated to experimental art, poetry, music and film. We encourage you to explore past issues and stay tuned for issue #4.




In Drone We Trust, by NishMa, Haggari Nakashe & gaop


Synth & Sax for the Elderly by Haggari Nakashe & gaop

Now here's a fun little treat!

A new collab album by Haggari Nakashe & gaop.

It's been on repeat at RZRHQ since we got the master files, happy days indeed.

This one is a bit of everything thrown into the lab, a tad of jazz, ambient, drone, beats, noise, a very good listen.


A word from the artists:

Synth & Sax for the Elderly, a collaboration between gaop and Haggari Nakashe, paying homage to our ancestors via noisy drones, sax abuse and a few beats. Inspired by life itself.




 

'Topic to Topic #2' by gaop & Haggari Nakashe

The following release sparks much joy in our hears.

It's a collaboration between Haggari Nakashe and gaop that's both beautiful and intelligent.

The rich, dark, ambient sounds of this track, are haunting and lovely, blending piano with synths in a droning and slows manner, suitable for both active and passive listening.


Here are a few words from the artists:

'Topic to Topic #2' is a musical experiment that seeks to examine what would happen to a piano composition ripped out from the modern or post modern genres, into the realms of downtempo, electronic drone music, effect-heavy and synth-laden.

The result is this atmospheric, 34 minute track. Beeping, humming, dragging like doom metal, yet retaining its grace.

Retrospective: Revisiting gaop & Haggari Nakashe's Pictures of Gold and Terror (2006)

~ 20 Years of RZRecords, a Retrospective Revisiting Haggari Nakashe & gaop's Pictures of Gold and Terro...